My doctoral thesis explores the role of graphic reproductions in the reception of Claude Monet's artworks during the ‘fin de siècle’. The main goal of this research is to improve our understanding of the influence of graphic reproductions, such as drawings, engravings or photographs, in the international dissemination of Impressionism and the creation of the artist's image. My thesis discusses the entire reproduction process, from the reproduction methods to the different actors who created, exchanged, and published the reproductions (often in connection with the marketing and selling goals of art dealers). It further investigates how the originals artworks were transformed or translated through those processes. As part of this research, I am assembling a catalogue of the reproductions of Monet’s work.