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Digital Art History
History of Institutions and Sciences
The Art of Objects
Transculturality and Mobility
Research Projects
Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
Arts and Migrations in Argentina (1900-1950)
Between Art, Research, and Occupation Policy
Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
Conques in the Global World
Exhibiting Polyphony
From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
LOUD Discourse
Object Studies in Art History
Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
Quartier Richelieu
Scientific Work on the Hôtel Beauharnais
Signum and Simulacrum
Surrealism in North Africa and Western Asia
Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
Travelling Art Histories
Utopias and Dystopias of Nature. Surrealism and Ecological Thought
Past Research Projects
A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
Art History Authorities
ArtTransForm
Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
Cultural Transfers in Weimar Classicism
Documentation Max Ernst
Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
Encounters of Reality – Reality of Encounters
OwnReality. To Each His Own Reality
Surrealism and Money: Dealers, Collectors, and Gallerists
The Fall of the Image: The Iconology of Negative Verticality
Travel in Time and Space - The "Cavey" pictures
Annual Theme 20/21
Previous Annual Themes
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ART-Dok
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Follow our team of researchers
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Main navigation EN
DFK Paris
Research Infrastructure
Management
Research Assistants
Library
German Publications
French Publications
Electronic Publications
Digital Humanities
Grants, Internships and Support
DFK Staff
About DFK
History
Hôtel Lully
Support Services
Secretariat / Event Management
Information Technology
Administration
Public Relations
Academic Advisory Council
Alumni
Sponsors
The DFK Paris Foundation
Additional Functions
Measures to Promote Equality
Activity Reports
Contact Us / Getting Here / Hours
Partners / Network
Information for the Media
Subscribe our Newsletter
Job offers
Research
Research Areas
Digital Art History
History of Institutions and Sciences
The Art of Objects
Transculturality and Mobility
Research Projects
Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
Arts and Migrations in Argentina (1900-1950)
Between Art, Research, and Occupation Policy
Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
Conques in the Global World
Exhibiting Polyphony
From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
LOUD Discourse
Object Studies in Art History
Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
Quartier Richelieu
Scientific Work on the Hôtel Beauharnais
Signum and Simulacrum
Surrealism in North Africa and Western Asia
Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
Travelling Art Histories
Utopias and Dystopias of Nature. Surrealism and Ecological Thought
Past Research Projects
A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
Art History Authorities
ArtTransForm
Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
Cultural Transfers in Weimar Classicism
Documentation Max Ernst
Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
Encounters of Reality – Reality of Encounters
OwnReality. To Each His Own Reality
Surrealism and Money: Dealers, Collectors, and Gallerists
The Fall of the Image: The Iconology of Negative Verticality
Travel in Time and Space - The "Cavey" pictures
Annual Theme 20/21
Previous Annual Themes
Publications
All Publications
New Releases
Passages
Passages online
Passerelles
Monographies
Collaborations
Journals
Ordering
Library
News
Information for Users
Guided Tours of the Library
Digital Services
Library Sponsors
Catalog / OPAC
Library Staff
Fellowships & Scholarships
Specialized Advising
Fellowships
Internships
Fall Courses
Study Courses
Franco-German Colloquium Art History
Digital DFK
ART-Dok
Databases, Digital sources and editions
Digital Publication Formats
Guidelines, Research Data and Software
Prototypes and Studies
Events
Transregional Academies
Colloquia
Roundtables
Lectures
Workshops
Past Events
Call for Papers
Follow our team of researchers
Utopias and Dystopias of Nature. Surrealism and Ecological Thought
Utopias and Dystopias of Nature. Surrealism and Ecological Thought
English page under construction. Please see the
German
and
French
version.
Project start
01.09.2019
Leadership
Contact
Dr. Julia Drost
Research Director / Head of Research Funding Opportunities
Phone +33 (0)1 42 60 67 97
jdrost@dfk-paris.org
Anonym, La nature dévore le progrès et le dépasse, Minotaure 10/4, Winter 1937, p. 20.