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      • Arts and Migrations in Argentina (1900-1950)
      • Between Art, Research, and Occupation Policy
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • Conques in the Global World
      • European ceiling painting - 17th - 18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Object Studies in Art History
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • OwnReality. To Each His Own Reality
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 – The Visible and the Speakable
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
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    • Prototypes and Studies
    • ART-Dok
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    • All Events
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Main navigation EN

  • DFK Paris
    • About
      • History
      • Hôtel Lully
    • Team
    • Research Fellows and Guest Scholars
    • All Contacts A–Z
    • Academic Advisory Council
    • Alumni
    • The DFK Paris Foundation
    • Sponsors
    • Partners
    • Activity Reports
    • Information for the Media
    • Newsletter
    • Equal Opportunities
    • Job Offers
  • Research
    • Current Research Projects
      • Arts and Migrations in Argentina (1900-1950)
      • Between Art, Research, and Occupation Policy
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • Conques in the Global World
      • European ceiling painting - 17th - 18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • Object Studies in Art History
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Quartier Richelieu
      • Sam Szafran (1934-2019). Obsession d'un peintre
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • LOUD Discourse
      • OwnReality. To Each His Own Reality
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Annual Theme 22/23 – The Visible and the Speakable
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
    • Monographies
    • Collaborations
    • Journals
    • Ordering
  • Library
    • News
    • Information for Users
    • Guided Tours of the Library
    • Digital Services
    • Library Sponsors
    • Catalog / OPAC
    • Library Staff
  • Fellowships & Scholarships
    • Specialized Advising
    • Fellowships
    • Internships
    • Fall Courses
    • Study Courses
    • Franco-German Colloquium Art History
  • Digital DFK
    • Guidelines, Research Data and Software
    • Databases, Digital Sources and Editions
    • Search for People in our Data Collections
    • Prototypes and Studies
    • ART-Dok
    • Digital Publication Formats
  • Events
    • Call for Papers
    • All Events

Deborah Schlauch

Deborah Schlauch

Research Assistant

DFK projects

  • ConedaKOR: Dokumentation für Anwender/ -innen
  • Data curation: a case study on the database Deutsch-Französische Kunstvermittlung 1870–1940 und 1945–1960
  • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre

Contact

Deborah Bild

Deborah Schlauch

dschlauch@dfk-paris.org

DFK Paris is
an institute of

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45, rue des Petits Champs
F-75001 Paris

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