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      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • Arts and Migrations in Argentina (1900-1950)
      • Between Art, Research, and Occupation Policy
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • Conques in the Global World
      • European ceiling painting - 17th - 18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • LOUD Discourse
      • Object Studies in Art History
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Quartier Richelieu
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • OwnReality. To Each His Own Reality
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
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Main navigation EN

  • DFK Paris
    • Research Infrastructure
      • Management
        • Research Assistants
      • Library
      • German Publications
      • French Publications
      • Electronic Publications
      • Digital Humanities
      • Grants, Internships and Support
    • DFK Staff
    • About DFK
      • History
      • Hôtel Lully
    • Support Services
      • Secretariat / Event Management
      • Information Technology
      • Administration
      • Public Relations
    • Academic Advisory Council
    • Alumni
    • Sponsors
      • The DFK Paris Foundation
    • Additional Functions
    • Measures to Promote Equality
    • Activity Reports
    • Contact Us / Getting Here / Hours
    • Partners / Network
    • Information for the Media
    • Subscribe our Newsletter
    • Job offers
  • Research
    • Research Areas
      • Digital Art History
      • History of Institutions and Sciences
      • The Art of Objects
      • Transculturality and Mobility
    • Research Projects
      • Acquisitions made by the Berlin State Museums on the Parisian Art Market during the Occupation 1940-1944
      • Arts and Migrations in Argentina (1900-1950)
      • Between Art, Research, and Occupation Policy
      • Collecting in the Eighteenth Century: On the Archeology of a Perfect Collection
      • Conques in the Global World
      • European ceiling painting - 17th - 18th century
      • Exhibiting Polyphony
      • From Orientalism to Americanism, Parallel Grammars. Pre-Hispanic Motifs in European Ornamental Grammars of the Second Half of the 19th Century
      • LOUD Discourse
      • Object Studies in Art History
      • Paris – Pindorama. Bewanderte Bilder aus einer deplatzierten Moderne
      • Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide
      • Quartier Richelieu
      • Scientific Work on the Hôtel Beauharnais
      • Signum and Simulacrum
      • Surrealism in North Africa and Western Asia
      • Tempo! – On the Time Factor in the Furnishing Practice of the French Empire
      • ‘The City of Tomorrow’ in the GDR? Media reporting on architecture and urban development projects (1965–1975)
      • The painting collection of the Royal Academy of Painting and Sculpture at the Louvre
      • Travelling Art Histories
      • Utopias and Dystopias of Nature. Surrealism and Ecological Thought
    • Past Research Projects
      • A Publishing Project: The Diaries of Count Harry Kessler (1868–1937)
      • ARCHITRAVE – Art and Architecture in German Travel Accounts to Paris and Versailles in the Baroque Era
      • Art History Authorities
      • ArtTransForm
      • Bilderfahrzeuge - Aby Warburg's Legacy and the Future of Iconology
      • Correspondence between Henri Fantin-Latour and Otto Scholderer, 1858–1902
      • Cultural Transfers in Weimar Classicism
      • Documentation Max Ernst
      • Editing and Publishing the Conférences de l'Académie Royale de peinture et de sculpture (1648–1793)
      • Encounters of Reality – Reality of Encounters
      • OwnReality. To Each His Own Reality
      • Surrealism and Money: Dealers, Collectors, and Gallerists
      • The Fall of the Image: The Iconology of Negative Verticality
      • Travel in Time and Space - The "Cavey" pictures
    • Previous Annual Themes
  • Publications
    • All Publications
    • New Releases
    • Passages
    • Passages online
    • Passerelles
    • Monographies
    • Collaborations
    • Journals
    • Ordering
  • Library
    • News
    • Information for Users
    • Guided Tours of the Library
    • Digital Services
    • Library Sponsors
    • Catalog / OPAC
    • Library Staff
  • Fellowships & Scholarships
    • Specialized Advising
    • Fellowships
    • Internships
    • Fall Courses
    • Study Courses
    • Franco-German Colloquium Art History
  • Digital DFK
    • Guidelines, Research Data and Software
    • Databases, Digital sources and editions
    • Search for people in our data collections
    • Prototypes and Studies
    • ART-Dok
    • Digital Publication Formats
  • Events
    • Transregional Academies
    • Colloquia
    • Roundtables
    • Lectures
    • Workshops
    • Past Events
    • Call for Papers
    • Follow our team of researchers

Thorsten Wübbena

Thorsten Wübbena

Director of research

until 2019

DFK projects

  • ARCHITRAVE – Art and Architecture in Paris and Versailles in Accounts by Baroque-Era German Travellers
  • Datenvisualisierung in den Geisteswissenschaften
  • KOR as a Service
  • Palais Beauharnais goes VIKUS
  • similARiTy
  • Wikidata x ConedaKOR

Contact

Thorsten Wübbena

Thorsten Wübbena

DFK Paris is
an institute of

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